Monthly Archives: March 2017
Photo courtesy of Atlantic Salmon Trust
Martin Robson joined Little Blackhall and Inchmarlo in the spring of 2015 and is the Head Ghillie for the beat.
Martin hails from Alston, in Cumbria, where he used to fish the South Tyne as a boy. He spent a lot of his time fishing there and developed a deep and lasting love of the countryside. He went onto to study Countryside Management and Gamekeeping at Newton Rigg College in Penrith, for which he received a distinction. The placement element of his course took to the famous Grimersta fishery on the Isle of Lewis. This led to seasonal work as a ghillie on Grimersta and also the wonderful Amhuinnsuidhe on the beautiful Isle of Harris.
Martin has developed his boat skills from his time in the Hebrides and there are two boats on LB&I for guest to use, both as a ferry to fish both banks and also for positioning anglers for the best possible chance of a take.
Little Blackhall & Inchmarlo has traditionally been a spring beat; angling effort slowed at the end of June, but Martin believes there is potential for the beat in the summer.
“ The best months are generally April and May. We are at our busiest then, but I would like to see more rods in the summer. The beat fishes at a range of heights and I am keen to increase the effort during the summer as I am certain we will produce fish.”
Photo courtesy of Atlantic Salmon Trust
Generally, Martin prefers medium water levels on the beat. During spring he actually prefers the water to be lower than other beats might. As a rule of thumb, he likes the gauge at Inchmarlo to be between 2’8” and 3’5”.
“We have some deep pools here and lower water helps us to fish the fly deep and slow in the cold water during February and March- I like the fly to fish as slowly as possible. We are really lucky to have a great variety of pools and there is always a good option to be found at most water heights. In high water, the tail of the Roe Pot is good from either bank. The old Fawn into Seatties from the Blackhall side is also a good cast. In low water, I am always confident of an offer in the tail of the Otter Stone or the Fawn from the Inchmarlo side. The Otter Stone is a favourite of mine and if have a spare half hour, it’s where I like to have a quick cast.”
Martin’s spring set up is either an intermediate head, paired with a long type 5 tip or a Skagit with T14 or T18. These help him present the fly deep and slow. He enjoys fishing large singles, in the usual patterns, Tosh, Willie Gunn and Monkey. In summer the tactics change and he adopts a much lighter set up and advocates a stealthy approach to the river.
“I like a long leader in the summer and I also like to fish at a longer distance to maintain as much distance as possible between me and the fish. As for flies, a silver stoat is as good as any.”
Top Tip: “Think about how you approach your pool. We can often ruin our chances before we start if we fail to remember our quarry is wild and wary.”
To book fishing or get in touch with Martin, check out Little Blackhall and Inchmarlo on FishDee
The Willie Gunn is a much-loved fly on the Dee. In the article below, first published in Trout and Salmon magazine, I take a look at the origins of this amazing pattern.
Tag: oval gold or silver
Body: oval gold or silver rib over black floss/ flat gold tinsel
Wing: equal parts mixed black, orange and yellow
Head: Black or Red on gold bodied version
I have featured a number of patterns I know are close to our hearts as salmon fishers. I am going to take a punt this month and contend that of all the flies of the past 50 years the Willie Gunn must be on most people’s short list of favourites. I don’t mean the best fly, instead, I would argue that it is perhaps the best loved; the tens of thousands of salmon it has caught has helped the love, no doubt. The Willie Gunn, it seems to me, transcends mere catch statistics and in my experience anglers have a fond regard for this pattern as one of the few constants in their ever changing fly boxes. To me, the Willie Gun symbolises spring fishing in Scotland. The beauty of the pattern is that varying the quantities of the colours can produce a fly that would be equally at home in the dark waters of Thurso and the crystal clear waters of the Dee. It is highly versatile and can be fished as a tiny summer fly up to the biggest of tubes.
The original method for tying the wing is to blend the colours before tying them in. I like to add it in separate layers, I think it looks better and I note from Stan Headley’s Flies of Scotland that this was Rob Wilson’s method of making the wing. I also like to dress them long – for example, an inch and a half tube would have a dressing of about 3”. The gold bodied Willie Gunn is a popular variant, it could well be more popular than the original dressing. I tie this version with a red head, I also like flash in the wing. It is quite a contrast to the standard dressing which is a more sombre offering.
As you know by now I like getting the story behind the patterns I feature so I was more than intrigued when Jim MacKenzie of Ayrshire got in touch with me to shed new light on the story of this great fly.
Willie Gunn was Jim’s uncle and it was Jim that produced the first flies that would give birth to a legend. In March 1968 Jim was playing around with hairwing flies and had some shanks made for them. Waddingtons were a bit pricey back then, so Jim and Archie Gilmour, a colleague from Reid Kerr College, produced some shanks of their own on Argonat welding wire. Jim dressed some flies, with a blended wing of orange yellow and black and a silver rib. These early versions of the fly, dressed on 1” and 1 ½” shanks, were passed onto Willie during a family visit to the Highlands and were soon catching fish. Willie was down to the last few of Jim’s flies when he tied one on for the Duchess of Sutherland in the Madman Pool on the Brora and so he called Jim and asked if he could have them copied – and tied on heavier shanks or tubes – at Rob Wilson’s shop in Brora.
So there you go. A different slant on things from Jim. The most common version of the history of the Willie Gunn is that Dusty Miller, who tied for Rob Wilson in Brora, produced a number of hairwing tubes. Dusty was either commissioned to produce hairwings including a Thunder and Lightning or, according to another story I have read, he had come up with a number of flies off his own back and produced them at the shop. Both accounts tell us that one day Willie Gunn came into the shop, selected the ones that would carry his name and went off to the river and caught several springers. These stories are easily found online and the most interesting ones I have seen were written by Alexander Baird-Keachie, who spoke to both Rob Wilson and Dusty Miller in their later years. You can find these on the Salmon Fishing Forum.
This is the type of story that I particularly enjoy sharing with readers. I am grateful to Jim for taking the time to get in touch; it has been something he has wanted to get into the open for many years. I don’t know how or why Jim’s part in the story has been hidden from view, but I am more than happy to shine a light on it now. I am sure it will stimulate plenty conjecture, but we love all that, don’t we? From Jim’s account, Willie Gunn had fished with the fly, which Jim had originally called Shona’s fly after his daughter before he famously collected Dusty Miller’s version from Rob Wilson’s shop. Time waits for no one and sadly we no longer have Willie Gunn, Dusty Miller or Rob Wilson with us – we could have started a proper argument.